Thursday, July 09, 2009

PaintBlog


I got an email this morning informing me that my work had been featured on an art blog called PaintBlog. I followed link, and then spent the next hour delving into its' archives. The site is run by Canadian artist Eric Cator. The piece below is one of his urban landscapes titled Alicia Motel. His spartan landscapes, and rooftops are outstanding.


Alicia Motel by Eric Cator
acrylic on wood
16'' x 16"

His site features a different artist each day. The post contains an image, and a brief subjective bit of text, which also includes links to the featured artist's site, and/or blog. The archives go back to January of 2008, and in the limited time I've spent on the site so far, I've already discovered a number of artists I'm anxious to add to my list. This is a well crafted site, and is a welcome addition to my list of other artists sites, such as Charlie Parker's Lines and Colors, Katherine Tyrrell's Making A Mark, and Artist A Day.
I'm approaching the finish line on the second PB&J slated for the fall show at Anne Irwin Fine Art. It should be complete in the next couple of days. After that I'll be working on another group of six by six ebay pieces, and then back to gallery work.



Thursday, July 02, 2009

PB&J No.9


PB&J No.9
oil on canvas
12'' x 24"

I had so much fun painting this particular piece that I've decided to stay in this vein, and start another. No loaf this time, but continuing with the theme of the pb&j. It's an 18 x 18 focusing on the sandwich. This subject was requested by the owner of the Wynne/Falconer Gallery, and will be shipped up to Cape Cod. The painting I'm working on now will be included in a show scheduled for October at the Anne Irwin Gallery here in Atlanta.


Tuesday, June 23, 2009

Hamilton Beach - Model G

Hamilton Beach - Model G
oil on canvas
24'' x 24"

I finally finished up the latest Hamilton Beach Mixer, which I plan to offer to Stricoff Fine Art. I have now moved on to the next piece. Karen had been on my case lately to paint another loaf of bread, and Wynne Falconer recently expressed a desire for another pb&j, so I've got a new composition going which incorporates both of those elements. It's been a while since I've done a loaf of bread in cellophane, and it feels good to have one on the easel. I just completed my second day on it, and so far it's coming along nicely. I think I was biorhythmicly ready to do this particular painting.




Friday, June 19, 2009

Stacked Cups No. 3


Stacked Cups No. 3
oil on canvas
6'' x 6"

The final ebay painting for this week, is the third in what has become a series of stacked coffee cup paintings. Now it's back to the big mixer, which I hope to complete in the next day or two. That one has been a real bear, and I'm just keeping my fingers crossed that it will work out. If you'd like to bid on the cups above, you can access the auction by clicking here.


Thursday, June 18, 2009

Electric Kettle


Electric Kettle
oil on canvas
6'' x 6"

I picked up this electric tea kettle on ebay a while back, and took a bunch of photographs, but haven't got around to painting it until now. I've selected a few good compositions from that lot for larger paintings, but thought I'd debut it here on ebay as a six by six. As you can see the kettle has this great dome shape, perfect for reflecting its' surroundings. Plus it has a wonderful decoesque handle. I'm pretty happy with how this turned out. I think this is a good start, and I'm looking forward to painting it again on a larger scale down the line. If you'd like to bid on this piece, you can take part in the auction by clicking here.


Wednesday, June 17, 2009

Skull


Skull
oil on canvas
6'' x 6"

I have to admit that this particular painting was done strictly for pleasure, with no regards as to its' marketability. This little skull was used in one of the Chicago commissioned paintings, and I just wanted to paint it again. Skeletons are so beautiful to me, and as I have found out, really fun to paint. This is the third one I've done so far, and it was a real treat. I inherited this skull from Jeff and Leslie Cohen a number of years ago, and it resides on our bookshelf with my modest collection of artifacts from the natural world. I can't say for sure what animal it came from. I'm tempted to say that it was an Opossum, but I'm not positive. If there are any zoologists out there that can identify it, let me know. So, if you are one of those who is drawn to this type of subject, and would like to bid on this painting you can access the auction by clicking here.


Tuesday, June 16, 2009

Pears in the Sun


Pears in the Sun
oil on canvas
6'' x 6"

Working on this little painting took me back in time to my early days on ebay. While updating my website recently, I rediscovered many of my early ebay pieces, and they made me realize how much I missed those brightly lit pieces of fruit on the bench near our bay window. So, I decided to return to my roots, and paint a couple of sunny pears. I had forgotten how much fun it was to sink your paintbrush into a juicy pear.



Monday, June 15, 2009

Sack Lunch


Sack Lunch
oil on canvas
6'' x 6"

I decided to hang the big mixer up on the wall for a week. Let it dry following the second pass, and while that process is taking place, do a few ebay paintings. I know that I'm taking too much time on this mixer painting, but I want to get it right. After the first layer was complete for each of the five ebay paintings, I picked up on a subtle running theme. All but the final painting used the same color palette. This may be a good thing, or it may not. Nonetheless, that's how it worked out. I'm really drawn to "earthy" colors, ie. variations of olive green, browns and dark reds. I hope this weeks posts won't appear too redundant. I believe the variety of subject matter may help tone down the accumulative effect of those repetitive colors. If you'd like to bid on this painting, you can access the auction by clicking here.


Monday, June 08, 2009

Dis-Connected


Vintage Percolator
oil on canvas
12'' x 16"

It's not unusual for me to go a week or more between blog posts, but this week scheduling was totally out of my control. Earthlink, in an attempt to correct some billing errors originating at their end inadvertently disconnected my internet service. I knew that "disconnection" was the most likely cause of my troubles, since the loss of service came about minutes after Earthlink took care of my problem. Having no other recourse to regain my service, I entered into the bowels of intercontinental tech support. Five days, multiple calls over seas, hours spent following cryptic unintelligible instructions, and several "live chats", accessed via the free wi-fi at my local coffee shop, they came to the conclusion that I needed a new modem. I was convinced that this was not the problem, but having reached the end of my rope, I agreed to have the modem shipped. The following day I received a call from tech support stating that they had discovered the problem. They had accidentaly disconnected my service at their end, but they were happy to report that our account had been reestablished, and that we should be back online. We were. The next day our new modem arrived.

While all of this was going on I took a break from the large mixer I've been working on to let the first layer dry, and returned to the painting above. I had started this well over a year ago, but never completed it. I thought, "maybe this would be a good time to finish this up". I hadn't worked on one of the old percolators in a while, and it was kind of a blast from the past to do one again. I haven't decided where it will go just yet. I'm trying to build up a store of paintings then figure out where they all should go.

I've also been working on some new ebay paintings. I've got the panels cut, primed and the drawings transferred. Once the big mixer is complete I'll get going on them. I plan to follow those with a pb&j slated for Wynne/Faconer. We'll see how it goes. This is my plan, as of today.


Wednesday, May 27, 2009

My Right Foot


My Right Foot
oil on canvas
12'' x 24"

Vacation is over, and it feels good to get back into the groove once again. I finally finished up this painting of one of my "dress" shoes. The right one I believe. It's from a batch of photographs I shot for the recently completed Chicago commission. While I was in the midst of composing the image for the theme of "Family" I took a number of shots of my shoes alone. I came up with quite a few compositions that work pretty well, and depending upon how this one is received, I hope to return to that folder of images, and paint more along this line in the future.

I'm currently working on another of my large (24 x 24) mixer paintings. I bought a really cool looking Hamilton Beach off of ebay a while back, and have been anxious to paint it. I finished the first pass today, and as always, I'm a little distressed about how it looks. This happens with every one of my paintings, so I'm remaining optimistic that it will turn out to my liking in the end. I haven't decided where I'll be sending either of these as yet. I may just stockpile a number of new paintings, then make the decision as to where to send them.


Wednesday, May 20, 2009

Out to Sea


The MS Holiday leaving the port of Mobile

I think this may have been my longest time frame between posts, but the Hollingsworth's have been at sea. Karen and I have discussed many times how it seems all we do it work. Pleasurable work, but work nonetheless. Even our vacations seem to always include a lot of time spent working on photography for future paintings, so Karen came up with a plan. The next time an opportunity to do something "fun" is presented to us, we'll stop what we're doing, and participate.


Jeff and Leslie Cohen and Karen the first day at sea

It wasn't long after that proclamation that we got a call from Jeff and Leslie Cohen with an inviation to come with them on a cruise. They got the cruise bug about a year ago, love it, and really wanted us to join them. I never saw myself as a cruise person, but they were convinced that if we tried it we'd be hooked. We had to make up our minds quickly, because they were leaving in like four days, so agreeing to abide by our vow to "do the next fun thing" we came aboard.


Key West from the Promenade Deck

The cruise was a short one. Mobile to Key West and back. The swine flu outbreak in Mexico had forced Carnival to rework many of their itineraries, so this cruise formerly scheduled to dock in Cozumel, was rerouted to Key West. Which was fine with us, since we had already been to Cozumel, and had never been to Key West.

The size of the ship was pretty impressive, but then the Cohens told us that it was one of the smaller ships in the fleet. It seemed big to me. The process of getting everyone on board at the terminal in Mobile worked like a well oiled machine, and in no time we were on board. Karen and I spent the next couple of hours checking out the vessel, tracking down Jeff and Leslie, and getting something to eat. Before we knew it we were underway.


Ernest Hemingway's studio

I must admit, heading out of Mobile into open ocean was pretty exhilarating. The water was smooth, an amazing deep blue, and the weather perfect for our voyage. That night, and the following day was spent doing some of the "cruisie" things, eating a lot of good food, and hanging out on the promenade deck just marveling at the sea. The next morning we awoke in Key West.

The one thing we all wanted to visit was the Hemingway House, so that was our first stop. I think Karen's favorite aspect of that visit were the many polydactyl cats that live on the grounds. As much as I enjoyed the cats, I think his studio was my favorite spot. I haven't read that much of his work, but there is something about viewing the space in which creative people work that intrigues me. We visited the Art and History Museum next, then it was back on board for lunch. After that Jeff, Leslie and Karen wanted to hit the beach to swim, while I wanted to continue my personal itinerary which included the Audubon House, and the Mel Fischer Museum. We all regrouped around five for our departure back to Mobile.


A view of the horizon on the way back to Mobile

The cruise back was very relaxed with a lot of the day spent just "chillin" on the promenade deck. All in all, I must admit that I had more than a pretty good time, and we plan to do this again in the future. It was nice to truly get away for a little while, and just "be". Next time I think it would be nice to head deeper into the Carribean, and do a little diving. Next time.


Relaxing on the way back to Mobile

Now we're back home, and that means back to work. I've got the better part of a small gallery painting done, and the drawing for a second ready to begin. I'll post the image of the first in the next day or two.




Monday, May 04, 2009

Pool Bowl No.11


Pool Bowl No.11
oil on hardboard panel
6'' x 6"

My plan was to post this on Friday night, but it wasn't finished to my satisfaction. So, I decided to work on it some more over the weekend. I'm glad I waited. The additional work made a big difference. In addition to this I completed the update to my website, and also worked on drawings for new paintings intended for the galleries. The problem I'm having now is choosing my favorite compositions. Sometimes I have so many "good" images to choose from, that it's difficult to make the decision of which ones to actually paint. Or at least which one to do first. My internal dialogue usually starts with, does it satisfy my own creative needs, then works its' way into the compositions marketability, and potential to please the gallery. In the end, it's usually a combination of the three. Hope I make a good decision with this current batch. If you'd like to bid on the painting above, you can access the auction by clicking here.


Thursday, April 30, 2009

Veranda Tea


Veranda Tea
oil on hardboard panel
6'' x 6"

This is another of my Anna's Veranda pix. I set this glass of tea down on the window sill, and thought to myself, "that could be a painting". The glass has such a great shape. I love the facets, and the flared top. If you'd like to bid you can access the auction by clicking here.


Wednesday, April 29, 2009

Perc and Cup


Perc with Cup
oil on hardboard panel
6'' x 6"

I've had this little percolator for a few years now, and it's one of my favorite things to paint. It doesn't produce a mirror image of the room like some of my other appliances, but it does create wonderful patterns of color in its' surface. I enjoy pairing that material with the subtle variety of light and shadow in the cup. It's a recurrent theme in my work, and I hope to continue to use it well into the future. If you'd like to take part in the auction, you can bid by clicking here.


Tuesday, April 28, 2009

Anna's Doorknob


Anna's Doorknob
oil on hardboard panel
6'' x 6"

Back in February Karen, and I spent a few days at Inlet Beach Florida. Karen had discovered a beautifully restored Victorian home for rent right on the beach over the internet. The house was called Anna's Veranda (hence the title), and she wanted to use it as subject matter for new paintings. My primary job was to be her assistant, and tech support. Busy as I was, I did manage to find some time to do a little photography for myself. When I noticed this doorknob on one of the bedroom doors, I couldn't resist taking a couple of shots. I loved the shape of the knob, and the detail on the escutcheon plate with its' keyhole, and chipped paint. I thought this close crop, combining the knob with a small section of the multiple recessed panels, made a nice composition. If you'd like to bid on the painting you can take part in the auction by clicking here.


Monday, April 27, 2009

Crossed Red Shoes


Crossed Red Shoes
oil on hardboard panel
6'' x 6"

I shipped out all four paintings for the Chicago commission this morning. It's always an anxious time when I have to entrust the safety of my work to an independent agency, i.e. FedEx. I've been lucky so far in my art career, in that I haven't had any of my paintings, lost or damaged in transit. Nonetheless, I still tend to worry until I hear that they've arrived in tact.

I've been spending a lot of time since the completion of the commission working on my website. It hasn't had a significant update in well over a year, and I thought it was time to do some renovating. I eliminated a lot of pieces, then researched my archives for some older overlooked, but worthy, paintings to replace them with. In addition to those, I've added many new paintings completed within the last year. I've also reworked the layout, and overall design of the site. Hopefully, this will enhance the presentation of the paintings, and make the site easier to navigate. It will be a week or more, until it's finally ready to publish. The site is huge. I had never counted the number of pages before, but during this update out of curiosity I did, and found it to be over 250 pages. Thank goodness for Apple's iWeb, it makes the process very easy. Anyway, when it's actually up, I'll mention it in a future post, with a link for those who haven't been there.

I've also been working on some new ebay paintings. Red Crossed Shoes will be the first of five going up this week. Once all of these are set in motion, I'll be getting back to work on some larger paintings for the galleries. If you'd like to bid on the painting above, you can access the auction by clicking here.


Tuesday, April 14, 2009

4th Completed Commission: Play


Play
oil on canvas
16'' x 16"

Well, the Chicago commission is complete. The fourth painting representing the theme of "play", is in the drying phase prior to varnish. These have to be in the hands of the client by the end of the month so that final process will have to be expedited. I hope that when these are unpacked the client is pleased with the work. Now it's on to some ebay paintings, then it's back to work for the galleries. It's been a long time since I've shown them, "any love". I'll have to work hard, and fast to make it up to them.


Friday, April 10, 2009

Oranges & Sardines Magazine



Karen is one of the featured artists in the April 2009 issue of Oranges & Sardines Magazine. This is a quarterly publication offered online, or you can purchase a hard copy at either Amazon.com, or createspace.com. Content for the magazine is centered around poetry, and the visual arts. Didi Menendez, one of the editors at the magazine contacted Karen, and interviewed her for the article. It provides an interesting insight into Karen's creative process.


Deep Breathing
oil on canvas
36'' x 48"

In addition to the Q&A, the article includes four, full page, images of her work, including Deep Breathing, above. If you'd like to read the article online, and view the other featured paintings, you can visit the magazines website at: poetsandartists.com.

Karen was also interviewd by Jeff Hayes for a new feature he's begun on his blog. It's a monthly in depth interview with other artists. Her interview was posted last night, and can be read by clicking this State of the Art link.



I was one of the featured artists in the first edition of O&S magazine back in the summer of 2008. That article is still archived, and can be read online, by clicking here. I'm nearing the finish line with the Chicago commission. I'll probably have the fourth painting completed within the next couple of days. I'll post an image as soon as it's done. It's the smallest of the four, but one of the more complicated to paint. It's been a real challenge, but if it works, I may use this same subject for future gallery paintings.


Wednesday, April 01, 2009

3rd Completed Commission: Family


Family
oil on canvas
24'' x 24"

Here is the third of four commissioned paintings headed to Chicago. The title/theme of this painting is, "family". I had come up with a number of ideas while contemplating this theme, but it was Karen's suggestion of using shoes that finally made the cut. It was an inspired idea. The "fathers" shoe, in back, was issued to me at Lackland Air Force Base on November 17, 1972. They were part of my dress blues, and I still wear them today as my dress shoes. The rest of the family came from the Goodwill. A great place to find props. I love the combination of the black, white and red. Now I'm into the final piece, titled Play. It's a complicated one, but if it works out like I hope, I think it will look pretty cool.


Tuesday, March 31, 2009

Sliced Bread No.2


Sliced Bread No. 2
oil on canvas
12'' x 12"

And finally the third ebay painting for this week, Sliced Bread No.2. This will be the final large painting on canvas to be listed on ebay for a while. The Chicago commission is getting closer to completion, and I plan to get back to multiple small paintings on hardboard for auction once it's done. I'll also have to get busy producing new work for the galleries. These commissions have taken me out of the loop for sometime, and I need to start concentrating on all of them. I must admit I'm going to miss this commission work. I'll post an image of the third completed commissioned painting tomorrow. If you would like to bid on Sliced Bread, you can access the auction by clicking here.


Monday, March 30, 2009

Iced Tea


Iced Tea No. 2
oil on canvas
12'' x 12"

Here is the second of three larger paintings to be auctioned on ebay. It's 12 x 12 on gallery wrapped canvas. Tomorrow I'll post the final piece for auction. The third commission for Chicago is complete, but I'm going to wait until these auction paintings are all up before I post the image. The theme for this one is Family, and I'm really pleased with how it turned out. It's simpler that the previous two, but it has a good feel. I like it. If your interested in bidding on the painting above, you can participate in the auction by clicking here.


Thursday, March 26, 2009

Update: ebay, friends & dino bones


Stacked Bread No. 2
oil on canvas
10'' x 10"

The third commissioned piece is nearing completion, and I should have an image of that in the next couple of days. In the meantime, I've gotten back a few gallery paintings, and I've decided to auction them on ebay. Stacked Bread No. 2 will be the first. There will be three in total. Two paintings at 12 x 12, and one at 10 x 10. These will all be offered with a reserve price of $500 for the 10 inchers, and $700 for the 12's. If you'd like to bid on this first piece you can access the auction by clicking here.



In other news, our friend Robert Deyber just announced the publication of his first hardbound book of select paintings. Production was handled through his gallery, Martin Lawrence, and it's titled, A Language All His Own. Our copy arrived a few days ago, and it's terrific. The book is layed out beautifully, and the reproductions are gorgeous. Karen and I are so happy to see our good friend doing so well. Congratulations Bob, "you're the man"!


Thicket - by Jeff Cohen
oil and encaustic on panel
48'' x 48"

Our friends Jeff and Leslie Cohen have joined the blogoshpere. Welcome to the Monkey House was launched on March 14th, and will be a combined effort of the both of them. Thicket will be sent to Alan Avery Gallery for his April 17th show.


Waiting for Burritos - by Leslie Cohen
oil on canvas
8'' x 8"

Jeff and Leslie are two of the most entertaining, and talented people we know, and I'm sure this site will provide informative amusing prose, as well as their beautiful artwork. If you'd like to participate in the auction for Leslie's painting, Waiting for Burritos, you can bid by clicking here.


Tellus: Northwest Georgia Science Museum

One of the more unexpected moments of the last week began as Karen and I were in the waiting room of the doctors office. I was leafing through a magazine when I came across an article that included pictures of dinosaurs. I am a sucker for dinosaurs. So I'm reading the article about this new science museum that had just opened north of Atlanta, when it mentions the name of the executive director, Jose Santmaria. Jose and I went to high school together. He and I had kept in in touch up until the eighties, but eventually we lost contact with each other. When I read his name in the article, I couldn't wait to get home, and give him a call. It was great to hear his voice again, and we had a good conversation. Before we ended the call we made plans for Karen and I to come up, some time in the near future, visit the museum, and get reacquainted. The name of the facility is Tellus: Northwest Georgia Science Museum, and I can't wait.



Continuing on with the paleontological theme, I received a very nice email from artist Darren Maurer a couple of weeks ago in refrence to the first of my Chicago commissions, titled Discovery. He was very complimentary of the work, and surprised to read that I had such an interest in science. As it turns out Darren is an amateur paleontologist. He is part of a group of four fossil hunters that spend all of their free time between April and October at one several dig sites in western South Dakota. His group was responsible for the discovery of the creature on the cover of the December 2007 issue of National Geographic magazine! That is so cool. Thanks Darren for the kind words about my painting. Good luck this season.


Tuesday, March 17, 2009

2nd Completed Commission: Learning


Learning
oil on canvas
24'' x 24"

Here is the second completed Chicago commission. The theme of this painting was Learning. The first thing that came to mind as I mulled over this subject was wooden blocks. I spent a considerable amount of time on ebay searching for vintage wooden blocks, and discovered quite a few listings. Most of them were suitable, and reminiscent of the blocks from my childhood, but when I came across these I knew I had found exactly what I was looking for. They're hand crafted by a woman named Brenda, and sold under the banner My Fathers House 4. You can find these blocks, and other items she creates with that "vintage" look on her blog. Now it's on to number three. The subject of that will be Family.


Friday, March 13, 2009

In the Meantime . . .


Beach Read by Karen Hollingsworth
oil on canvas
36'' x 36"

The second commissioned painting is getting very close to completion, so close in fact that I've decided to hold off, and wait until it's done to post it. It'll probably be up in the next few days. In the meantime, I thought I'd post some current event items. Leslie Levy Fine Art, Karen's gallery in Scottsdale Arizona, has chosen to market her prints. They've done a great job of presenting them on their website, and we're hoping this will prove to be a successful venture. Biased as I am, I have to say that the quality of these reproductions is exceptional. Gallery Street does an amazing job producing them. Karen is a fanatic about matching the prints to her originals, and these are, "spot on".



In other news, Karen was doing an internet search yesterday for Liana Repass, an artist we both love, who also shows at Mason Murer Fine Art. She does superb pastel paintings of water. In her search for more information about Liana, Karen came across the website of Deborah Dyste, an interior designer here in Atlanta. As she scrolled down the page she came across the image above, and thought the paintings looked familiar. Further scrutiny showed it to be a trio of my coffee cup paintings which had sold through Twinhouse, my now defunct Atlanta gallery. I don't know how newsworthy this is, but you so rarely get to see your sold paintings hung in their new homes. It was nice to have an opportunity to see how these had been displayed.


Redneck Riveria by Karin Jurick
oil on canvas
12'' x 7"

Our friend Karin Jurick is in Hilton Head SC this weekend to attend the reception of her one man show at the Morris & Whiteside Gallery. They recently aquired the Red Piano Art Gallery, and this will be the premiere opening following that aquisition. This is a very nice gallery with some heavy hitters in the art world. The roster includes artists like: Milt Kobayashi, Joseph Lorusso, Dean Mitchell and Stephen Scott Young. The work Karin has produced for the show is wonderful. I think some of her best work to date. Karen and I had been debating as to whether we would drive up for the reception. With all we both got going on right now, and having just returned from Florida ourselves, we opted to stay home, and work instead. I think it's going to be a great show. Can't wait to talk to her, and find out how it went.



And lastly, I got myself a new computer this week. My trusted Power PC was over five years old, and starting to show its' age, so I convinced myself that I needed a new computer, and got one of the new 24" iMacs. I bought my first Apple computer in 1988, and have been a loyal owner ever since. When I saw that the new iMacs had come out with a significant performance boost/price drop, I couldn't resist. I have to say, "it's glorious". I've spent the beter part of the last two days "playing" with it. This is another reason I couldn't take the time to make the journey to Hilton Head. So anyway, if you're in the market for a new computer, I highly recommend stopping by an Apple store, and checking out the new iMacs. It's a sweet machine.



Friday, March 06, 2009

1st Completed Commission: Discovery


Discovery
oil on canvas
24'' x 24"

I finished the first painting for the Chicago commission yesterday, and I'm very happy with it. The company is dedicated to promoting childrens' health, and each of these four paintings is to represent a specific theme in the development of a child. The subject of this piece is "discovery". I developed this composition by re-visiting my own childhood. My brother Doug, and I were both fervent naturalists in our youth. My brother especially. Had he followed that route, I think he would have made an extraordinary scientist. I did "encourage" him somewhat. To this day he recounts the story of how I forced him into a closet, and refused to release him until he had named all of the geological epochs. In chronological order. Fossils, sea shells, rocks, fish, insects and reptiles were a big part of our young lives. So, when I pondered on how I would portray discovery, I concluded that my own childhood discovery of the natural world was what I wanted to represent. "Learning" is on the easel now.


Tuesday, March 03, 2009

Karen's Group Show at Mason Murer




The evening before we left for Florida Karen, and I headed into town for the opening night reception of Karen's first show at her new Atlanta gallery Mason Murer Fine Art. It was a group show, with a large attendance. By all accounts, her work was very well received. We both had a great time. Met some new artists, and also got to spend some time with old friends. One of those friends Jeanie Tomanek emailed us this morning to alert us to this video created that night, and posted on the Mason Murer website. Karen's segment comes in near the end.

I've completed the initial pass on the first painting for the Chicago commission, and being so close I decided to wait until it's finished to post an image. Hopefully, it will be ready in the next few days. I don't usually allow myself to appreciate my own work in progress, timid that it will jinx me, but I have to say, I really like how it's turning out.


Friday, February 27, 2009

Update


Anna's Veranda at Inlet Beach FL

No new art to post this week, but I did want to check in, and update everyone on what's been going on these last few days. Karen has had her eye on this particular beach house for sometime now as a source of new images for her paintings. She decided that the winter rates were such that it was feasible to rent it for a few days, head down, and do a lot of photography. Anna's Veranda is a classic Victorian home moved to this location in the early 2000's, and it's really beautiful. The house completely lived up to the image promoted on its' website.

We were lucky, in that the weather, and water, could not have been better. Plus, being there in February, we had virtually the entire beach to ourselves. I was there basically as Karen's assistant/tech support, but did manage to get a few shots in of my own. This was definitely a working vacation, and as exhausted as we both were when we left, we did have a great time. The image below is the sunset the night before we returned to Atlanta.



Now we're back. Karen is filtering through the hundreds of images from Florida, and I'm getting started on the Chicago commission. This evening Karen and I are heading into town with Jeff and Leslie Cohen to attend the opening night reception of the David Arms show at Anne Irwin Fine Art. He will have a large number of paintings there, and I'm really looking forward to it.


Trust by David Arms
19'' x 16"

That's about it. Stricoff Fine Art, Ltd. is anxious to have the Hamilton Beach Mixer (below), so I'll be shipping it off early next week. Now it's time to buckle down, and really get busy on the commission. Hopefully, I'll have an image of the first painting up some time later next week. If not the completed piece, at least an in progress shot.


Thursday, February 19, 2009

Hamilton Beach Mixer No. 3


Hamilton Beach Mixer No. 3
oil on canvas
24'' x 36"

I began this painting way back when, but got caught up with the Print Pack commission. It felt good to get back to it once more. I love this old Hamilton Beach mixer. The juicer attachment looked so wicked with that long toothlike appendage, that I couldn't resist painting it in that configuration. I know it's an odd composition, and may have limited appeal, but it was a treat to paint. When I started this piece my intent was to offer it to Stricoff Fine Art Ltd., so I'll be emailing them this image for their approval. If they like it, it's theirs. Now that the mixer is done, it's time to get started on the commission for Chicago. There is an absolute deadline on this job, so there's no time to waste. As always, I feel as though I've bitten off more than I can chew, but I'm really happy with my photo references, and am looking forward to getting the project underway. Depending upon how things go, I may decide to post some "in progress" images of the painting process.


Sunday, February 15, 2009

I'm Interviewed by Jeff Hayes


Chocolate and Foil by Jeff Hayes
oil on masonite
10'' x 10"

Jeff Hayes has chosen me as the first interviewee for a new monthly feature on his blog State of the Art. He plans to spotlight a different artist each month, and I have to admit it was kind of fun. I first became aware of Jeff when I purchased a small painting of his a few years ago from ebay. We've been corresponding ever since. He, along with Belinda Del Pesco, were instrumental in helping me get my own blog off the ground. Jeff was also our trusted guide through the streets of Boston, when Karen, and I were there for our show at Wynne/Falconer in late 2007. He's a terrific realist painter, Chocolate and Foil (above) is one of his paintings currently available for sale on ebay. I'm honored that he considered me, interview worthy. If you'd like to read the interview, and view more of Jeff's work, you can visit his blog by clicking here.

I've ignored my own blog here lately. I've been busy working on compositions to submit to the company in Chicago for a possible commission. I received word a few days ago that they like what they saw. The images have all been approved, and a deposit check has also been sent. Good news. Now all I have to do is paint them. Which, for anyone who follows this blog, knows for me that means - freak out time.

Since my last post I have managed to work on a new painting for Stricoff Fine Art, Ltd. in New York. It's a piece I began months ago, and never finished. The Print Pack Inc. commission was dominating all my time. It's nearly done, and should be ready to ship within the next few weeks. I'll post an image of it as soon as it is complete. The lack of time I've been able to spend workng for the galleries has been very distressing for me, but it's difficult, especially now, to reject work that pays immediately. Hopefully, I can finish this new commission quickly, and get back to work for the galleries very soon.


Tuesday, February 03, 2009

Focus: Leslie Cohen


Puff
oil - encaustic - paper - wood
30'' x 30"

One of the personal joys of my blog, is having a platform to brag on my friends, and colleagues. I've mentioned Jeff Cohen (see previous post) a number of times. Tonight I'd like to spotlight his wife Leslie. She was a graphic designer for years before she moved into the fineart realm with her etchings. They are not true etchings per se, but are reminiscent of that genre, and they're absolutely gorgeous. You have to see them in person to fully appreciate the delicate and complex technique involved in creating these. To see more you can visit her website.


Second Gardenia
oil on canvas
8'' x 8"

Then, all of the sudden, and seemingly out of the blue, she has become a photo realist painter. One day she wasn't, and the next day she was. It took me a lifetime to get where I am, and for Leslie it took, like a week. The amazing thing is she is so good. Right out of the gate. Karen and I had to call her when we first saw these new paintings, to ask, "who are you?". It's really exciting. We can't wait to see what will come next. These new paintings are being auctioned on ebay. If you'd like to take part in the bidding you can access the auction by clicking here.


Monday, February 02, 2009

Pool Bowl No.10


Pool Bowl No.10
oil on hardboard panel
6'' x 6"

I wasn't able to get this painting completed by the end of the day last friday, so I held off posting it until tonight. Hadn't done any pool balls in a while, and thought it would be a colorful item to finish off the current group of five paintings for ebay. If you'd like to bid on this painting you can participate in the auction by clicking here.

Had some good news this week. Received an email from Spalding Nix that the five paintings I had done for Print Pack Inc. were hung in the board room late last week. Word is they were a hit. The CEO, and his mother, the wife of the man who started the business, were very impressed. Whew! I can finally breath a sigh of relief. Spalding wrote that all of the art contracted for the project was very well received. I'm looking forward to heading back over there to see everyone else's work.


Jeff Cohen commission for Print Pack Inc.

I wanted to make special mention of the two paintings produced by Jeff Cohen for this project, because they are truly spectacular. These were done in Jeff's "fragmented" style, where each painting is composed of multiple plywood panels. Every panel is painted separately, then mounted together onto a wooden frame to create the final piece. I believe each of these paintings is 48 x 60, and show the presses used to print the packaging for the items you saw in my contribution. Jeff, this is a masterpiece.

Got a little more good news this week as well. The commission for the company in Chicago is still a possibility. I emailed the first few compositions to Curt Nance, who is directing the project, last week, and he was pleased with what he saw. Curt is a no-nonsense guy, and I think he can move this along smoothly. That's my gut feeling anyway. It will be interesting to see how this goes. I hope it works out. It could be a fun project, and with this economy, a source of much needed income as well.