A good friend of mine sent me a link to a blog post he came across online by David Dorsey where the the subject of that post is . . . me! David is an author, painter and art commentator and if you'd like to read it here is the link to his post.
Sunday, April 14, 2019
Tuesday, April 09, 2019
Karen and I were in Charleston this weekend to attend the reception for her solo show at Principle Gallery. We had been sweating the weather during the preceding week convinced that the show would be "rained out" by what looked like, on radar, to be a significant storm scheduled to arrive just about the time the show was to begin.
As luck would have it the inclement weather cleared out a few hours before the show and left us with a perfect evening. In fact the entire weekend, weatherwise, was gorgeous. We arrived to find Frank and Thomas had done a beautiful job of hanging the show, and after catching up on the news of the past year Karen and I headed down King Street to CO, our favorite Charleston restaurant for two bowls of Curry Laksa.
In the past we had had use of an apartment the gallery owned located directly above the gallery. A very nice and unbelievably convenient place to stay when we were in town. Unfortunately, for us, the ownership of the building had just changed hands and the apartment was gone, so we were on our own to find lodging. Happily Frank, who I believe is really a wizard, worked a deal for us to stay at the Spectator Hotel just a couple of blocks down from the gallery. Nicest hotel we've ever stayed in. Ever. It even provided the services of a butler. A butler!
|Karen and Thomas|
Rested and groomed for the evening we left the hotel around five and walked down the street for the opening. It wasn't long before the gallery began to fill and Frank and Thomas started to work the room. By the time the doors were closing Karen had sold three paintings with two more on hold.
|Eric was there as always to serve drinks|
Frank had arranged for Karen to attend a "Meet and Greet" at the French Quarter Inn on Saturday so that gave us another day to spend in Charleston. For us that means visiting as many art galleries as we can with lunch at the Brown Dog Deli somewhere in-between.
Saturday went great. As I mentioned before the weather was perfect and our day went as planned. Saw a lot of good "art". We were fortunate in that one of our favorite artists, Jeffery Larson and his son Brock, were having a show at Helana Fox Fine Art. We also had a long visit with Robert Lange at his gallery Robert Lange Studios. They were having a show that weekend entitled Shiny Stuff which included collaborative pieces created by Robert Lange and Nathan Durfee, and work by George Ayers. RLS is always one of the highlights of our trips to Charleston.
|Karen and Guest|
At five thirty we headed around the corner from our hotel to the French Quarter Inn. The Meet and Greet was set up in the lobby. Frank had brought over three paintings from the gallery and Karen mingled with the guests, answered questions, and received compliments about her work for about an hour and a half. A nice low key event to wrap up her show.
Karen and I had picked up a couple of "Wacky Jackies" from the Brown Dog Deli earlier and stashed them in the little fridge in our room, so after the Meet and Greet we went back to our room for dinner and call it a night.
|Karen and Guest|
My "payment" for helping Karen with her shows is breakfast at Eli's Table. We'er both vegans, but I do eat eggs on two occasions. One is when my brother comes into town from New York and needs his Waffle House fix and the other is when we attend Karen's show in Charleston and I order the Wild Mushroom Omelet at Eli's Table. I'm ashamed to admit this, but now it's out.
|Meet and Greet|
Frank new we'd be at Eli's Sunday morning and joined us for breakfast. Afterward we thanked him and Thomas for all there help putting together the show, said our goodbye's then headed back home with a good book on "tape". A really, really nice weekend.
Posted by James Neil Hollingsworth at 8:36 AM
Sunday, March 17, 2019
|Untitled . Work in Progress . Fragment of a 24 x 24 . Oil on panel|
My current painting is taking so long that I figured I'd better put up a Work In Progress shot to show that I'm actually still around. This is a small portion (approximately 8 square inches) of the underpainting. The size of the finished painting will be 24 x 24. The subject came from a photo Karen took at a street market in New York's Chinatown. I've lusted over this image for years and she kindly granted me permission to use it. I'm hoping to finish the underpainting today or tomorrow so I can get going on the next pass. For me the second pass is the most fun. I fear this piece may take three passes. Fingers crossed I can get it done in two.
Posted by James Neil Hollingsworth at 11:48 AM
Monday, February 11, 2019
|Black Grapes No. 3 | 24 x 24 | Oil on panel|
I've been doing quite a bit of hard edge mechanical themed work lately and was in the mood for something a little more organic, so I went back to my folder of black grapes. It took a while to get this one done, but it was a very enjoyable journey.
I've got another life form based composition on the drawing board now. It's an image I've been thinking about for quite a while. I haven't committed to it just yet, simply because it scares me. If it were to turn out like I'd like it could be a cool painting, so I'm hoping I can summon up the courage to "face my fear" and dive in.
Posted by James Neil Hollingsworth at 7:17 AM
Monday, December 31, 2018
|VW | 30 x 30 | Oil on panel|
It's the time of year when I, sincerely, like to thank all of the people who have taken the time to visit my blog. It really means a lot to me, so thank you!
I've been working on this piece for a while now and was hoping to get it in under the wire to be my final painting for 2018. Made it with a few hours to spare. I came across this bug in the parking lot of our local Whole Foods and took a bunch of shots for a possible future painting. I've owned two beetles in my life so I have a definite soft spot in my heart for this little car. When I was working up the composition I couldn't get the 1959 DDB Advertising Agency's "Think Small" campaign out of my head, so I stole it. I made sure to use the correct typeface (futura) then matched up the kerning, and other modifications to come as close as I could to the original ad. I grew up with those ads and seeing as how this will be the final year of the beetle it felt appropriate.
Posted by James Neil Hollingsworth at 7:21 PM
Monday, November 19, 2018
|State Fair | 24 x 36 | Oil on panel|
I've had the itch lately to try something "different". A couple of autumns ago Karen, my brother Doug and I went to the Georgia State Fair. I felt that the event would provide some interesting photography so I brought along my Fuji. The next day I was going through my photos and came across a half a dozen shots of peoples legs and feet hanging out of the skybucket as the passengers were towed above the fair grounds at dusk. I always liked those images but feared they were just a little too "different" from what I usually paint, and may not be positively received. So I banked those photos for the last couple of years waiting for the right moment. I finally built up the nerve and now that it's done, I have to say I'm pretty happy with it.
Posted by James Neil Hollingsworth at 8:04 PM
Sunday, October 21, 2018
Karen and I drove up to Charlotte Friday to attend the reception of her solo show at Shain Gallery. We headed out of Atlanta a little before 7. With warm beverages within reach and Stephen King's the Stand playing on the iPod I hit the cruise control and we were off.
We got into town around 11 and stopped by the gallery to say hello and check out the room. The space looked great. Sybil Godwin, the gallery owner, and her staff had done a wonderful job of hanging the paintings. After spending some time getting reacquainted with everyone Karen and I drove over to our favorite restaurant CO for two bowls of Curry Laksa.
At six we entered the gallery and the first patrons were just beginning to arrive. The weather that evening was perfect and it wasn't long before the gallery was full. Karen, who is usually a little apprehensive about being the center of attention, soon got into a comfortable groove with the crowd. Which was good because everyone wanted to speak with her. When the show was over she and I said to each other, "this is about as good as it gets".
Oh, and one last thing, Karen sold sixteen of the twenty paintings she did for the show!
As things were winding up at the gallery I was talking to Bill Godwin, Sybil's husband about where Karen and I might have dinner. He knew we were vegans and said he, a devout carnivore, had heard good things about Luna's Living Kitchen, so we went there. It was a little hard to find, especially in the dark in an unfamiliar city, but eventually Siri and a phone call got us there. The structure had a nice open air industrial chic design with large funky art on the walls. Everything on the menu was all whole food plant based with no processed products. Not even tofu. Our server was friendly, I mean really friendly, and was happy to spend as much time as we needed describing items on the menu. We started with a nut based cheese plate, which sounds strange but was really good, then Karen had the Carrot humus bowl and I had the Mexican bowl. Man! Karen commented to me about half way through her entree, "this is the best salad I've ever had in my life". That coming from someone who eats a lot of salads. I wish there was a Living Kitchen in Atlanta.
The next morning after our (free) breakfast we set the Garmin for home and drove back still riding the high of the night before. All in all a virtually perfect couple of days.
Here are a few images of the reception:
|One of the first patrons to arrive|
|Sybil, the gallery owner second from the left running the show|
|Karen with one of the guests|
|Wall with a couple of red dots|
|Lou, running the bar and Eli, on the right, Sybil's gallery director|
|Karen with Sybil's husband Bill speaking with a guest|
|Kimberly the new gallery manager & Lou|
Posted by James Neil Hollingsworth at 9:41 AM
Sunday, October 14, 2018
|Pool Bowl No. 27 | 16 x 16 | Oil on panel|
I occasionally paint on canvas, sometimes on MDF or Masonite, but mostly I use an Ampersand Gessoboard, toned to a, somewhat, neutral grey in acrylic, then sanded with 220 grit sandpaper when it's dry. More often than not that provides me with a pretty nice base to paint on, but every once in a while, for reasons I don't understand, the paint just wants to reject the surface. When this is the case I know I'm in for a long hard battle. This was one of those paintings. It turned out pretty good in the end, but I'm still bruised. Once this has dried and been varnished it's going to Rehs Galleries in NYC.
Posted by James Neil Hollingsworth at 4:39 PM
Friday, September 21, 2018
|Pool Bowl: Work in Progress | 16 x 16 | Oil on panel|
I haven't posted a work in progress image in quite a while, so here is what I'm currently working on. One of my Pool Bowl paintings. Closing in on the completion of the first pass. When it's done it will follow the Sunbeam Mixer to Rehs Galleries in NYC.
Posted by James Neil Hollingsworth at 2:50 PM
Wednesday, September 19, 2018
Spalding Nix of Spalding Nix Fine Art has been working as liaison between Print Pack Inc., and me for years procuring commissioned paintings of products they produce the labels for to hang in their boardroom. A few days ago Spalding sent me a cell phone shot of the wall as it looks today. It was really fun to see them all together. We're currently working out the details for adding a possible Starbucks Coffee piece sometime in the future.
Posted by James Neil Hollingsworth at 11:47 AM
Tuesday, September 11, 2018
|Sunbeam Mixmaster | 24 x 24 | Oil on panel|
Before I comment on this painting I want to thank Karin Jurick and Brett Trowbridge for giving me this mixer. They found it at a flea market and felt I could make good use of it. They were correct, so again, thank you! I'm not exactly sure how many times I've painted this appliance but I think this may be the most detailed version so far. When it's dry and ready it's off to Reh's gallery. The next painting will be a "Pool Bowl" by request.
Posted by James Neil Hollingsworth at 6:45 PM
Monday, August 20, 2018
|Honda: Aft | 12 x 12 | Oil on panel|
|Honda: Fore | 12 x 12 | Oil on panel|
The reception for the Five & Under Show at Arcadia Contemporary took place Saturday evening and from what I can glean from the internet it went pretty well. I haven't heard if anything sold yet. Fingers crossed. Thank you Steve and Nora for inviting me to participate.
Posted by James Neil Hollingsworth at 10:56 AM
Monday, August 06, 2018
The Five and Under Show at Arcadia Gallery is coming up August 18th and they wanted the artists to refrain from posting images of entire paintings until the show opens. Build up curiosity and enthusiasm, so here are two "details" of my two 12 x 12 paintings. Same bike but different locations. When the show opens I'll post full images of both paintings.
Click here for more information on the show:
Posted by James Neil Hollingsworth at 10:46 AM
Monday, June 25, 2018
|Goldfish | 30 x 30 | Oil on canvas|
This was a tough one, but it's finally done. I'm pretty happy with it. Goldfish aficionados may have noticed that the little starburst in the big guy's sunglasses is missing. It was added after I had already shot the photo of the completed painting. Now, onto something a little smaller.
Posted by James Neil Hollingsworth at 8:18 AM