Tuesday, July 12, 2011

the Tree's Place Show

Camden Maine: day one

Karen and I returned from out trip to New England yesterday afternoon, and I have to say it was a wonderful four days. We caught our plane early Thursday morning to Boston, where we rented a car, and headed up to Camden Maine. I've wanted to visit the Olson House in Cushing for years, and this seemed to be a perfect time to fulfill that dream. My mother introduced me to the paintings of Andrew Wyeth when I was young, but I became a full fledged fan when I attended an exhibition of his work at the de Young Museum in San Francisco in 1973 while I was stationed at Travis Air Force Base. I went back to see that show multiple times before it moved on.

the Olson House

Having spent so much of my life admiring the paintings he had done at the Olson House, I had to take advantage of being this close, and include a visit the location. My first reaction, as the house came into view, was visceral. As I got out of the car, I felt as though I was treading on sacred ground. Maybe that's a little extreme, but after nearly forty years of memorizing his paintings of this place, not too far off the bat. Christina's World, on display at the MOMA, is the most famous painting set in this location, but my favorite is Weather Side.

Weather Side and Christina's World

The weather was perfect that day, so Karen and I did a lot of photography. We probably spent the better part of two hours going over every square inch of the house, inside and out. Each room evoked a memory. It was as though I had returned to a house where I once lived. A very strange, yet wonderful feeling.

I used to live in Pennsylvania and Massachusetts, and I have a lot of happy memories of both. I think that's one reason Wyeth's paintings are so powerful for me, since most of them are representative of Pennsylvania and New England.

the Olson House

When we felt we had extracted all we could from the house, Karen and I went down to the Olson family graveyard. We were surprised to discover that Andrew Wyeth was buried there near Christina and Alvaro. The family cemetery is located in a wooded area on the bay a short walk from the house. You can just see the water through the trees. A beautiful, and very peaceful spot of land.

Andrew Wyeth's Headstone

I left there fulfilled, ready to move into our digs for the night, and get something to eat. It was a short drive from Cushing to Camden, and our lodgings at the Whitehall Inn. The inn was originally a sea captain's home, but was purchased in 1901, and was gradually transformed into an inn. We had a wonderful room on the top floor with a view of the water. After unpacking, we drove into the town center, and had dinner on the dock. A perfect end to a perfect day.

Goodbye to Maine and onward to Cape Cod

Early the next morning we went down to the water a couple of blocks from the inn, and watched the sunrise. After that we returned to the Whitehall for breakfast. Fueled and ready to go, we drove into Rockland to visit the Farnsworth Museum. They actually own the Olson House, and operate two other facilities as well. The Farnsworth Museun and the Wyeth Center. The Wyeth Center was having a special exhibition of paintings and drawings, most of them on loan from the Marunuma Art Park collection in Asaka, Japan. The exhibition is titled: Andrew Wyeth, Christina's World & the Olson House. A terrific compliment to our visit there the day before. Once we'd finished up there, we plugged in a book on tape, and began the drive into Orleans, on Cape Cod.


Tree's Place Gallery Orleans MA

Our plan was to get to the gallery before closing on Friday, but we spent more time in Rockland than expected, and had vastly underestimated the traffic heading out of Boston to the Cape on a Friday. Vastly underestimated! So we called Julie Bangert, the director of Tree's Place Gallery, and let her know that we wouldn't be in until well after closing, and we'd see her in the morning. That evening we checked into our motel, then ran out long enough for some Thai food before we came "home" and crashed.

Gallery Director Julie Bangert with staff members Katrina Hayes & Kelsey Whitaker

The gallery didn't open until 10, so we went out early to the beach, and after a short walk, tracked down a spot in town for a late breakfast. We lingered with out coffee until it was nearly 10, then headed to the gallery. The space looked beautiful. Julie, Katrina Hayes and Kelsey Whitaker (sorry about the blurry picture), had done a wonderful job of hanging the paintings, and staging the gallery.

Critiquing Coke Classic

After we all had gotten to know one another, and had a good chat, Karen and I drove up to Provincetown for the day. It's one of Karen's favorite places, and there are a lot of art galleries to check out. Saturday was another perfect day, weatherwise, and we had a lot of fun walking up and down Commercial Street. There wasn't a lot of time to linger in any one place since we had to be back at the gallery at 5, so as our time there came to a close Karen grabbed a sandwich at Karoo Kafe, and we drove back to Orleans for the reception. (That sandwich will play a part in our next days adventure.)

Steve and Sue Zafarana (background) and their friends in discussion

We walked into the gallery right at 5, and the parking lot was already nearly full. When I saw those cars I breathed a huge sigh of relief, "people did show up!", I thought to myself. Julie, Katrina and Kelsey were all very upbeat, and excited about the show, and it wasn't long until visitors began to come up, and compliment me on the work. One of the first guests to approach me was Steve Zafarana and his wife Sue. They are type designers, and are part of a group called BluHead Studio, LLC. I liked them immediately. We had a great time discussing our years in graphic design. At one point in our conversation I happened to mention that I used to live in Norwood MA, then very quickly, and in unison they both said, "we live in Norwood!". Steve and Sue, if you read this, thank you for coming in to see the show. It was wonderful meeting you both.

Teresa Fischer and I taking art.

A little later I felt a hand on my shoulder, and as I turned I was greeted by Teresa Fischer. Teresa is one of my favorite artists, and her husband Scott is an awesome illustrator. I was shocked to find out that Teresa had driven three hours to get to the gallery. She was so nice, Karen and I fell in love with her immediately. After talking with her for five minutes, it felt as though we had known her for years. My one regret was that I didn't have near enough time to visit with her. When your the one having the show, you spend a lot of time talking with a lot of different people, and not enough time with any of them. Thank you again Teresa for coming, it was really great to meet you.

My entire evening was spent talking with wonderful people, all very complimentary of my work. I had a fantastic time to say the least. On a commercial note, combining pre-show sales, with paintings sold during the show, I had, by the time the doors closed, sold five paintings. There is also talk of a number of commissions, so I am calling this a successful show.

Thank you again Julie, and to your staff, for the positive energy, and hard work you all put into preparing this show. I was overwhelmed by your generosity, and kindness.

Checking out Seven Spoons

That night after the show Julie took us into Wellfleet to a have dinner at a wonderful restaurant called the Wicked Oyster. Before we ate Julie drove us around Wellfleet, a delightful town on the Cape, filled with shops, restaurants and galleries. Our dinner was delicious, and it was really nice getting to know Julie, who is lovely in all its' definitions, a little better. A great capper to a great day.

Our plans for Sunday changed entirely when I made a significant error in my planning to visit Nantucket for the day. I got some times completely wrong, and we missed the ferry. Karen was great about it, and said she'd just as soon go back to Provincetown, so we did. We had a much more leisurely visit than the day before, and got to see some places we'd missed on Saturday, like the Provincetown Museum of Art, and the beach. I was really excited about coming back because I had had only one bite of Karen's sandwich from Karoo Kafe the day before, and couldn't get that flavor out of my mind. I wanted one of my own, so we ate there for lunch, then on the way out, stopped in again to pick up two more sandwiches for dinner that night, back in our room.

Monday we left early for the airport even though our plane didn't leave until noon. I'm glad we did because we hit that horrific Boston traffic once more on the way in. The flight was on time, smooth, and on the drive home we missed Atlanta rush hour traffic. All and all it was a splendid trip.


Thursday, June 16, 2011

Panchito: B-25 No.2


Panchito - 40 x 40 - oil on canvas

This is my final painting for the Tree's Place Gallery show July 9th on Cape Cod. The majority of my paintings were of a modest size, topping out at 18 x 24, so the gallery requested one large painting to act as a centerpiece. I chose to do another B-25. I had a lot of crops of this subject that I liked, and this was one of my favorites. It was indulgent to go this route again so soon I know, but I was dying to do (at least) one more version of this old Warbird.

Panchito is the face of the DAV (Disabled American Veterans) at air shows around the United States. They fly in to acknowledge the service these men and women provided to their country, inform the public about disabled veteran's unique needs, and help raise funds to provide support.


Saturday, June 11, 2011

American Art Collector



Karin Jurick gets a monthly online copy of American Art Collector magazine, and was kind enough to send me a couple of screen shots of my two pages in the July issue. Last time I checked it hadn't reached the news stands, so it was nice to see how they had put it together. Joshua Rose did a good job of translating our interview. I can't wait to get a hard copy in my hands.

The B-25 for the Tree's Place Show is still in the first pass phase. I'm hoping to have that first layer done in the next two to three days, then start in on the final pass. When that's dry, some varnish, a big box, and the last group of paintings will be on their way up to Cape Cod.


Saturday, June 04, 2011

Tin Top


Tin Top - 16 x 20 - oil on panel

The last of the small paintings is complete, and now I'm fully devoted to the one large painting for the Tree's Place show. Its' dimensions are 40 x 40, so it's not really big, but by comparison it will definitely stand out. The process has begun, as it does with all my paintings, with the nagging voice in the back of my head, "can I do this?". So far I've got the right wing tip started, and today I'll get going on the engine nacelle. My drop dead, you have to stop painting, this is it, date it has to be done is June 17. That gives me two weeks, so I should have plenty of time. Once it's finished, then I'll relax.


Monday, May 30, 2011

White Bread


White Bread - 10 x 30 - oil on canvas

I've got my final paintings for Tree's Place in rotation. The large B-25 has a lot of sky in it, which means a vast gradation of blues. It's in the drying stage prior to adding in the plane. Another painting is drawn out and ready to begin, and while all that was going on I did this loaf of bread. Karen is a real fan of my bread paintings, and she insisted that I had to have a full loaf, wrapped in plastic, for this show. I wasn't sure I wanted to go in that direction, but she was persistent, and now that it's complete I'm glad I did.


Saturday, May 21, 2011

Discovery No.2


Discovery No.2 - 16 x 20 - oil on panel

I painted a composition similar to this for a corporate commission a couple of years ago, and really wanted to visit it again. I've got over a hundred photos of these items in various configurations, and it seemed a waste to only use one, so here's another. This will be joining Coke Classic at the Tree's Place show in July.

I talked with Julie at Tree's Place a little while back, and she said that they will be doing an article and full-page ad in the July issue of American Art Collector magazine. Very generous of them, and very cool. Karen and I shared an article in AAC back in 2007 when we had a joint show at Wynne/Falconer Gallery, also on Cape Cod. I have to admit, I'm very excited about this!

The canvas is prepped and ready to go for the one large piece I'll be sending to the show. An alternate version of the B-25 I did for Mason Murer Fine Art. It's an interesting crop, and I'm looking forward to getting started on it. If it works out time wise, I'll put up an in progress shot.


Thursday, May 19, 2011

Coke Classic

Coke Classic - 18 x 24 - oil on panel

I had intended to post an in progress image of this painting, but Blogger went down for a couple of days right around the time I reached the end of the first pass, so I went ahead and and waited until it was done to post. This piece, as with practically everything else I've painted this year, will be shipped up to Cape Cod for a solo show at Tree's Place Gallery opening July 9th.

This is the first time I've dedicated this much time to a single gallery for a show, and I have to admit it has been an endeavor filled with more than an little anxiety, but it felt like this was the right time, and this was the right gallery to give it a try. Keeping my fingers crossed that it goes well.

My next painting is currently at the halfway point, and I should have an image of it ready to post in the next couple of days. I've got three more paintings to do once its done, and four weeks to do them in. One of them needs to be a large "centerpiece". I predict it's going to be a busy month.


Wednesday, May 11, 2011

Two More for Tree's Place

PB&J No. 14 - 10 x 30 - oil on canvas

I've been working for the last week and a half on these two horizontal's for the Tree's Place show. I had already started another painting on this particular canvas, but hated it, so I sanded it off, and reworked it into a pb&j. I'm partial to these off center compositions, and use them frequently. Maybe over frequently it, I don't know. With this 10 x 30 I was able to push the subject significantly off to the left, and I like it a lot. I think it gives the subject a greater sense of its position in space.

Pool Bowl No. 20 - 12 x 24 - oil on canvas

What would a collection of my paintings be without at least one painting of some pool balls? The size of the balls in the composition are a little over scale, but not so much as to make them freakishly large. They're just big enough to incorporate some serious detail into their surface. One of my favorite parts of these paintings that utilize a mixing bowl, is that thick rim at the top of the bowl. I love the distortion it creates of the contents, and how it imparts that glassy sense of glass.

I've got another Coke painting going now. It's large enough that I may post some in progress images of it. It's getting close to the deadline, and I've still got a number of paintings to go if I'm to meet my quota. Hope I can do it.


Monday, May 02, 2011

Cory Electric


18 x 24 oil on panel

Every once in a while I work on a painting that is just snakebit. The process goes wrong from the very beginning. This has proved to be one of those paintings. Most often, by it's completion, the painting has been salvaged, but there are occasions when the canvas will get the rag. I won't go into the full litany of problems I've encountered with this piece, but suffice it to say it's been fighting me every inch of the way. Part of the problem was the surface and the panels' construction, another, to be honest, was me, and most recently an incorrect use of a medium. I never use a medium, but thought with this painting it was a good idea. I'm currently waiting to see if I made the right decision. I went ahead and posted the image today because even though there are still problems to be solved, I think it's a good painting, and believe it can be saved.


Saturday, April 30, 2011

Dinner with Friends

Carol Marine

Way back when I finally summoned up the courage to quit my day job to paint full-time I also began an intensive search online for other artists. I wanted to see who was out there, what were they painting, and how were they doing it. One of my search methods was to browse the art auctions on ebay. I would sift through hundreds of auction thumbnails in hopes of finding a jewel. It wasn't hard to spot talent. As I scrolled through the listings the gifted artists work stood out like a neon sign.

Crossed Brushes

One of my first discoveries, and still honored in my personal Hall of Fame, was Carol Marine. Her elegant chiseled method of painting blew me away. I'm a huge fan, and was very fortunate this week to have the opportunity to meet her for the first time. She was in Atlanta to teach one of her immensely popular workshops.

Karin Jurick

Karin Jurick, artistic genius, close friend and another ebay find, wrote me an email to say Carol would be in town and we should all get together. So, we all met up at the OK Cafe, one of our favorite places to eat. Karin was accompanied by her better half Brett, a framer, motorcycle enthusiast, designer and builder of "The Paint On" table top easel, and all around great guy. My Karen was up in Asheville with friends so I came alone. It's too bad to, because she would have loved meeting Carol.


Leanto

I had a terrefic time. Carol was wonderful, and it was so nice to finally meet her after communicating for years via email. Working as an artist is an isolated profession, and so it was a real treat to sit and talk art with other artists over a great meal. The only problem with the evening was that it ended way too soon.

I'll have an image of my next Tree's Place painting in a day or so. This one, for some reason, was a real bear.


Thursday, April 21, 2011

Half Loaf No.4


12 x 12 oil on panel

I've done three of these "half loaf" paintings in the six by six format for auction on ebay, but wanted to work in more texture and detail with this subject, so I scaled it up to 12 x 12. It worked great. I was able to really get into the bread and also enhance the look of the plastic bag as well. A fun painting. This will be headed up to Cape Cod for the July show at Tree's Place Gallery.

I ignored my easel yesterday and spent the day making arrangements for our trip up to the Cape. I thought it would be a good idea to get an early start since accommodations in that area fill up quickly in the summer months. Karen and I were last there in 2007 when we shared a two person show at Wynne/Falconer Gallery. It was a great trip and we had a wonderful time. While we were there we stopped by Tree's Place on our way up to Provincetown, and were very impressed with the quality of work they had on display. It's hard to believe that now I'm returning four years later to attend a show of my own.


Tuesday, April 19, 2011

Black Grapes No. 4

16 x 16 oil on panel

I shipped off the first five paintings for the Tree's Place show in July yesterday. Hopefully they will be well received by the local collectors on Cape Cod. Maybe get a little early buzz going for the show. The Black Grapes were completed Sunday evening and will be heading up there along with Seven Spoons in the next shipment.

Karen and I are planning to attend the show, and are currently working out the logistics. There are two places we'd like to visit while we're in the region. Karen wants to go to Martha's Vineyard and I really want to veer northward to see the Olson House in Maine. I've been enamored of Andrew Wyeth since I first discovered his work in a show at the de Young Museum in San Francisco July of 1973. I was twenty one and knew of Christina's World, but when I saw his paintings in person I was hooked for life. I went back a half a dozen times before the show moved on. I still have the dog eared catalog for that show. In 1979 I drove up to Chadds Ford to visit the Brandywine Muesum, and while I was there I was able to track down the location of the Kuerner House. The home was still occupied at the time, so you couldn't go inside, but Anna Kuerner was on her porch as I drove by. Unreal! Anyway, to actually visit the Olson House and walk around inside would be like a pilgrimage. Hope we can make it happen.



Back in 2006 I did a small painting of a Maple Leaf to auction off on ebay. Not too long after that I received an email from Tina Maple, co-owner of Maple Vineyards in Sonoma county California. She wrote that they were about to produce their first vintage and wondered if I would be interested in doing another maple leaf painting that they would use for the label. It took about two seconds to say yes. We worked out the details, I sent them the painting, then never heard anything about the wine. About a week ago I got another email from Tina stating they made wine for only two years, but decided it was too much and had come to the conclusion that they would rather just grow the grapes. She then offered to send me a few bottles of their 2007 Zinfandel. It arrived a couple of days ago, and it was fun to see my little painting on the bottle. We haven't tried the wine yet, but we're looking forward to it.

Thanks Tina!


Friday, April 15, 2011

Seven Spoons


12 x 12 oil on panel

Enough with the books and iPad apps for now, it's time to paint. Julie at Tree's Place mentioned she liked the Flatware paintings, so I'm planning on a few for the summer show. Seven Spoons is the first. I've also got three more pieces working in rotation, painting on one while the other two dry between passes. I'll post those starting early next week.


Wednesday, April 13, 2011

A New Book: Six by Six



I've got one more commercial venture to announce before I get back to posting new work for the Tree's Place Gallery show in July. When I got back the proof copy of my first book Paintings In Oil and saw the high quality of the printing done at blurb.com, I was excited about the idea of producing a second.

Back in 2006 Karin Jurick convinced me to take part in a new art movement that was gaining popularity called A Painting A Day. It was an exercise developed by Duane Keiser, and the idea was, you complete a painting each day for some pre-determined length of time. Many artists decided upon a year, others chose a shorter amount of time, and some never stopped. I knew I was too anal to keep something like this going for any length of time, since for me it was all about the detail. I settled on a time frame of one month. I thought, if nothing else, this may help me to loosen up a bit. A quality I thought I needed in my work.

Thirty days later I had finished thirty paintings. It was a fun, though exhausting, challenge, and afterward I was ready to get back to my more "completed" style of painting. I did however retain the six inch by six inch format I had chosen to use during the exercise for paintings I would create for auction on ebay. Since that month, five years ago, I've done hundreds of these little paintings, and I thought they would be a good subject for another book. Six by Six is produced in a 7" x 7" format so the images are virtually the same size as the originals. The book contains 100 paintings culled from nearly 400 done over the years, and is available in a softcover or a hardback version with a dust jacket. If you'd like to preview the entire book and make a purchase click here to be directed to the blurb website.




Monday, April 11, 2011

my iPad app

iPad App Home Screen

When I saw that Jeff Cohen had his own iPad App, I knew that I would have to put together one of my own. It was just too cool of an idea to pass up. Plus I just got an iPad for Christmas and thought it could be a good way to present my work to friends, collectors and galleries. Technically I had no idea of how to actually build the app, fortunately Spencer Cohen (computer prodigy and son of the afore mentioned Jeff and Leslie Cohen) was there to provide those skills.

iPad App Standard Page View

I did the easy part, picking out the images I wanted to present. I sent those pages with layout instructions and the brief amount of text I included to Spencer and he did the real work. The app went live yesterday evening, and I'm have to say I'm very happy with it. The paintings really pop on that beautiful hi res screen.


iPad App Full-Screen View

The app presents 58 paintings done over the last ten years. Some of my favorites. It's very easy to navigate. You swipe right to left to advance to the next painting, and swipe left to right to return to the previous image. You can pinch/zoom within the picture window to examine the details, or double tap the image to see the painting in full-screen mode. There is also a scroll bar along the bottom to quickly move to a specific painting.

If you'd like a copy, you can get it for $1.99 at the App Store on iTunes. You can either search the for the title at the App Store: Art of James Neil Hollingsworth, or click here. If you do purchase a copy, and like it, I'd be grateful if you would leave a positive comment about it on the app's page on iTunes.


Saturday, April 09, 2011

Realism: Remembered

visitor checking out Teresa Fischer's paintings

Before I get started I have to report that when I downloaded my images from the show last night, half of them had been corrupted, so a lot of the artists I wanted to spotlight got lost in a digital wasteland. If it's any consolation, this includes myself. None of the photos of my wall were salvageable. The photo above shows one of the visitors checking out Teresa Fischer's work, and if you look through the doorway you can see one of Paul Cadden's amazing pencil drawings.

taking home a copy of one of Jelaine Faunce's paintings

Mark, Kelly and Andrea did a great job putting this show together. The weather was perfect, the turnout was huge and for a few lucky artists profitable. Abby Ryan, Teresa Fischer, Sally Tharp, Marc Chatov and Karen all had red dots by the end of the evening. Congratulations!

admiring the work of Jeff Hayes

It was great talking to the visitors. Everyone was very nice and complimentary of my contributions to the show. It's great to hear that people appreciate what you do. I have to say, for me, the best aspect of the evening was having the chance to get reacquainted with old friends I haven't seen in a while. Lots of friends made the effort to drive in and for me that made the night. Thank you all for coming!

he spent a lot of time viewing the work of Alvin Richard

The show will run through the first week in May, and hopefully somewhere during that time a red dot will show up on one of my paintings. If I can get one on the Mule or the B-25 I will view that as a sign that it's okay to paint another, and I really want to paint another.


stopping to view the work of Michael Naples and Abby Ryan

Now I'm back to work full-time painting for the show at Tree's Place in July. I've got a number of pieces complete, but still have a way to go. I've got three in rotation on the easel right now and will post and image of the first one done in a day or so.



Wednesday, April 06, 2011

Realism at Mason Murer Fine Art



Friday evening is the opening reception of the Realism Show at Mason Murer Fine Art. Karen and I delivered our paintings yesterday, and did a walk around to see what had already been hung. There are a lot of beautiful paintings on those walls! The weather for that night looks to be perfect, so hopefully there will be a good turn out. I'll be bringing my little point and shoot camera. If I get some good pix I'll post some of them in the days following the reception. If you're in the neighborhood, stop by.