Sunday, September 18, 2011

the Coca Cola Show at Mason Murer

Otto Lange checking out my contribution

The (first) opening for the Coca Cola show was on Friday night. Mason Murer Fine Art organized the show for a meeting of Coca Cola's top 200 shareholders to be held later in October, but incorporated the Coke paintings into a larger show entitled Real Things which fills the bulk of the gallery.

Gathered around Teresa Fischer's work.

The exhibition was particularly exciting for me because I was able to suggest a number of names to the gallery owner for inclusion in the show, and nearly all of them were able to contribute paintings. My intent wasn't completely altruistic, because I knew it would give me an opportunity to see, in person, the paintings of artists I admire. It's great viewing art on the internet, but it doesn't compare to seeing it in the flesh.

Coca Cola by David Malan

I don't mean to play favorites, because truly all of the paintings were wonderful, but I have to say that the painting Coca Cola by illustrator/artist David Malan was my pick for best of show. I've been a huge fan of his for years, and it was a real treat to finally see one of his pieces up close.


Otto Lange's crushed Coke can

Another artist I've admired for a long time, and one who was able to make it to the opening, is Otto Lange. His crushed Coke can was spectacular. It was really nice to have the chance to meet him, and talk shop for a good part of the evening. I have to say I've been very lucky in the last couple of months to have the opportunity to meet two of my favorite artists. First I meet Teresa Fischer (who has two paintings in the Coke show) in Cape Cod, and now Otto.

Other artist/colleague's, with an internet presence, that took part in the Coke show are: Alvin Richard, Vic Vicini, Chris Stott, Todd Ford, Sally Tharp and Jelaine Faunce.

Mike Kasper

And last, but not least, two terrific paintings by one of my oldest, and best friends Mike Kasper. Mike is one of those people who seem to be able to do just about anything. A short list of titles I could apply to him would be; artist, sculptor, woodworker, engineer, welder, graphic designer . . .


Wednesday, September 14, 2011

Elliot Fouts Gallery Realism Invitational


Tractor - 36 x 36 - oil on canvas

I can't believe it's almost been a year, but it's time again for the Elliot Fouts Gallery Realism Invitational in Sacramento. My plan, when I was first approached, was to do multiple paintings, but time got away from me, and I was only able to complete one. But . . . I think it's a good one.

I found this 1950's riding toy tractor at a local antiques store that allows me to rent items. It was sitting out in front of the shop, and I knew I had to paint it. That fantastic red, and those graphics were too much to resist. On a canvas size of 36 inches I think it is nearing 1:1 scale, close to life size.

There are a whole bunch of great realist painters represented this year, so if you're in the Sacramento area the evening of October 8th you should stop by and check out the show.


Thursday, September 08, 2011

A Commission | A Re-list | and A Group Show

Pitcher with Ice No. 2 - 12 x 16 - oil on panel

I've been busy working on a commission these last couple of weeks, and it's finally finished. I've received more comments on a painting I did years ago called Pitcher with Ice than anything else I've ever done, and the client who commissioned this piece said they wanted something very similar to it. I've emailed them the image of the completed painting, and they are very happy. Whew, it's always a relief to hear that a client is happy with their painting.

Clementines - 6 x 6 - oil on panel

These Clementines on the other hand met another fate. The winner of the auction decided they didn't want the painting after all, so I'm re-listing it once more on ebay. If you'd like to bid, you can access the auction by clicking here.

And finally, I'm working frantically to complete a larger painting (36 x 36) for a group show put on by the Elliot Fouts Gallery in Sacramento. It's an invitational realism show scheduled to open October 1st. They've got a long list of terrific realist painters participating, and I'm proud to be included with them. The only problem is that I have to get them the painting by the 23rd of September. Yikes! Back to work.


Tuesday, September 06, 2011

Spread the Word


This is a shout out to help our good friend Carol Marine. Carol, her husband David and their son lost their home on Sunday when a fire swept through their subdivision near Bastrop Texas. According to reports, nearly 300 homes were destroyed. The good news is that they are safe.

Jennifer, a close family friend, has organized a fund to assist them immediately.

Please click here for details, and give what you can to help Carol, and her family get back on their feet.




Friday, August 26, 2011

Spinning Top


Spinning Top - 6 x 6 - oil on panel

To finish off the week, my vintage Spinning Top. I first painted this toy for a corporate commission I did some years ago, and I think it's a great subject. The colors, shape and illustrated surface, it's just too cool. I love painting this thing. If you'd like to take part in the auction click here.


Thursday, August 25, 2011

End Loaf


End Loaf - 6 x 6 - oil on panel

Tonight it's the front end of a loaf of bread, wrapped in a cellophane bag. I love how many colors you can find in a simple loaf of white bread. If you'd like to bid on this painting, you can access the auction by clicking here.


Wednesday, August 24, 2011

Government Issue


Government Issue - 6 x 6 - oil on panel

I've used these shoes as the subject in a number of paintings. They're my only dress shoes. I was issued these in 1972 on my first day of basic training, and they've been my wedding, funeral and job interview shoes ever since. You can surmise from this that I'm not a slave to fashion. I love their, "been around the block look", and that tan interior is terrific. If you'd like a painting of my shoes, you can bid on it by clicking here.


Tuesday, August 23, 2011

Coke Carton


Coke Carton - 6 x 6 - oil on panel

When I finished up the Coke painting, I still had a bunch of "Coke" colors left on my palette, so I thought I'd take advantage of them, and do a small Coca Cola painting for auction on ebay. If you'd like to bid on this piece you can access the auction by clicking here.


Monday, August 22, 2011

Citrus


Citrus - 6 x 6 - oil on panel

After I completed the Coke carton for Mason Murer Fine Art, I decided to do another five small paintings for ebay before I got to work on a much larger painting I'm planning to send to the Elliot Fouts Gallery for his October group show. Up first this week is a ceramic bowl filled with Clementines. If you'd like to participate in the bidding you can access my auction by clicking here.


Thursday, August 11, 2011

Coke Carton


Coke Carton - 24 x 24 - oil on panel

Well, I've spent two solid weeks working on this painting, but I think it's finally done. I find myself wanting to hang onto it a little longer, but I don't think I can get much more out of it. Mark Karelson at Mason Murer Fine Art is hosting an "event" for some of the top brass at Coca Cola in October, and invited a number of artists to fill his space with Coke related art. I painted a "half" version of this composition a while back for Stricoff Fine Art, and always wanted to revisit it so I could take full advantage of all that type on the carton. I thought this show would be a good opportunity to try it again. There are a couple of other group shows this fall I want to participate in as well, so this may be my only contribution to the Coke show. If I can get those other projects done quickly, I'll try and squeeze in another piece. I'm really looking forward to seeing what all the other artists come up with. I think it's going to be a great show.


Friday, July 22, 2011

Cream & Sugar


Cream & Sugar - 6 x 6 oil on panel

The final painting going up for auction this week is a little silver piece. Karen and I inherited a silver set from her parents when they were cleaning house. They thought we'd like it, and I do. I've done quite a few paintings from the set. This is a sugar bowl and creamer. I know it's corny, but I kind of liked how the two handles created a heart when placed back to back. If you'd like to bid on this painting, you can access the auction by clicking here.


Thursday, July 21, 2011

study for Condiments No.2


study for Condiments No.2: 5.5 x 5.5 - oil on panel

I was pondering the idea of doing another "Condiments" painting, so I did this little study at 5.5 x 5.5. This is only the top portion of the final composition, but I thought it worked pretty well on its' own. The full version will provide an opportunity to paint all the labeling. If you'd like to bid on this painting, click here.


Wednesday, July 20, 2011

study for Mule No.3


study for Mule No.3: 6 x 6 - oil on panel

I've been thinking of painting another Mule, so I did a small "study" of the head to get into the groove. I'm not sure if I'll do the mule's entire body, or just its' head. I'll just have to wait and see how I feel when the time comes. If you'd like to bid on this painting, click here.


Tuesday, July 19, 2011

Cherries


Cherries: 5.5 x 5.5 - oil on panel

Tonight's it's a bowl of cherries, and the bag they came in on. If you'd like to bid on this painting click here.


Monday, July 18, 2011

Pool Bowl No.21


Pool Bowl No.21: 6 x 6 - oil on panel

I'm currently working on paintings for a number of group shows coming up in the fall, but I thought before I really got rolling on those I'd put up some 6 x 6's for auction on ebay. It's been a long times since my last ebay listing, and I've been really missing the auction experience. I'll be posting five new paintings this week, one each night at 9 pm. Tonight's listing is my 21st Pool Bowl piece. I never tire of painting these colorful spheres. If you'd like to bid on this painting click here.


Tuesday, July 12, 2011

the Tree's Place Show

Camden Maine: day one

Karen and I returned from out trip to New England yesterday afternoon, and I have to say it was a wonderful four days. We caught our plane early Thursday morning to Boston, where we rented a car, and headed up to Camden Maine. I've wanted to visit the Olson House in Cushing for years, and this seemed to be a perfect time to fulfill that dream. My mother introduced me to the paintings of Andrew Wyeth when I was young, but I became a full fledged fan when I attended an exhibition of his work at the de Young Museum in San Francisco in 1973 while I was stationed at Travis Air Force Base. I went back to see that show multiple times before it moved on.

the Olson House

Having spent so much of my life admiring the paintings he had done at the Olson House, I had to take advantage of being this close, and include a visit the location. My first reaction, as the house came into view, was visceral. As I got out of the car, I felt as though I was treading on sacred ground. Maybe that's a little extreme, but after nearly forty years of memorizing his paintings of this place, not too far off the bat. Christina's World, on display at the MOMA, is the most famous painting set in this location, but my favorite is Weather Side.

Weather Side and Christina's World

The weather was perfect that day, so Karen and I did a lot of photography. We probably spent the better part of two hours going over every square inch of the house, inside and out. Each room evoked a memory. It was as though I had returned to a house where I once lived. A very strange, yet wonderful feeling.

I used to live in Pennsylvania and Massachusetts, and I have a lot of happy memories of both. I think that's one reason Wyeth's paintings are so powerful for me, since most of them are representative of Pennsylvania and New England.

the Olson House

When we felt we had extracted all we could from the house, Karen and I went down to the Olson family graveyard. We were surprised to discover that Andrew Wyeth was buried there near Christina and Alvaro. The family cemetery is located in a wooded area on the bay a short walk from the house. You can just see the water through the trees. A beautiful, and very peaceful spot of land.

Andrew Wyeth's Headstone

I left there fulfilled, ready to move into our digs for the night, and get something to eat. It was a short drive from Cushing to Camden, and our lodgings at the Whitehall Inn. The inn was originally a sea captain's home, but was purchased in 1901, and was gradually transformed into an inn. We had a wonderful room on the top floor with a view of the water. After unpacking, we drove into the town center, and had dinner on the dock. A perfect end to a perfect day.

Goodbye to Maine and onward to Cape Cod

Early the next morning we went down to the water a couple of blocks from the inn, and watched the sunrise. After that we returned to the Whitehall for breakfast. Fueled and ready to go, we drove into Rockland to visit the Farnsworth Museum. They actually own the Olson House, and operate two other facilities as well. The Farnsworth Museun and the Wyeth Center. The Wyeth Center was having a special exhibition of paintings and drawings, most of them on loan from the Marunuma Art Park collection in Asaka, Japan. The exhibition is titled: Andrew Wyeth, Christina's World & the Olson House. A terrific compliment to our visit there the day before. Once we'd finished up there, we plugged in a book on tape, and began the drive into Orleans, on Cape Cod.


Tree's Place Gallery Orleans MA

Our plan was to get to the gallery before closing on Friday, but we spent more time in Rockland than expected, and had vastly underestimated the traffic heading out of Boston to the Cape on a Friday. Vastly underestimated! So we called Julie Bangert, the director of Tree's Place Gallery, and let her know that we wouldn't be in until well after closing, and we'd see her in the morning. That evening we checked into our motel, then ran out long enough for some Thai food before we came "home" and crashed.

Gallery Director Julie Bangert with staff members Katrina Hayes & Kelsey Whitaker

The gallery didn't open until 10, so we went out early to the beach, and after a short walk, tracked down a spot in town for a late breakfast. We lingered with out coffee until it was nearly 10, then headed to the gallery. The space looked beautiful. Julie, Katrina Hayes and Kelsey Whitaker (sorry about the blurry picture), had done a wonderful job of hanging the paintings, and staging the gallery.

Critiquing Coke Classic

After we all had gotten to know one another, and had a good chat, Karen and I drove up to Provincetown for the day. It's one of Karen's favorite places, and there are a lot of art galleries to check out. Saturday was another perfect day, weatherwise, and we had a lot of fun walking up and down Commercial Street. There wasn't a lot of time to linger in any one place since we had to be back at the gallery at 5, so as our time there came to a close Karen grabbed a sandwich at Karoo Kafe, and we drove back to Orleans for the reception. (That sandwich will play a part in our next days adventure.)

Steve and Sue Zafarana (background) and their friends in discussion

We walked into the gallery right at 5, and the parking lot was already nearly full. When I saw those cars I breathed a huge sigh of relief, "people did show up!", I thought to myself. Julie, Katrina and Kelsey were all very upbeat, and excited about the show, and it wasn't long until visitors began to come up, and compliment me on the work. One of the first guests to approach me was Steve Zafarana and his wife Sue. They are type designers, and are part of a group called BluHead Studio, LLC. I liked them immediately. We had a great time discussing our years in graphic design. At one point in our conversation I happened to mention that I used to live in Norwood MA, then very quickly, and in unison they both said, "we live in Norwood!". Steve and Sue, if you read this, thank you for coming in to see the show. It was wonderful meeting you both.

Teresa Fischer and I taking art.

A little later I felt a hand on my shoulder, and as I turned I was greeted by Teresa Fischer. Teresa is one of my favorite artists, and her husband Scott is an awesome illustrator. I was shocked to find out that Teresa had driven three hours to get to the gallery. She was so nice, Karen and I fell in love with her immediately. After talking with her for five minutes, it felt as though we had known her for years. My one regret was that I didn't have near enough time to visit with her. When your the one having the show, you spend a lot of time talking with a lot of different people, and not enough time with any of them. Thank you again Teresa for coming, it was really great to meet you.

My entire evening was spent talking with wonderful people, all very complimentary of my work. I had a fantastic time to say the least. On a commercial note, combining pre-show sales, with paintings sold during the show, I had, by the time the doors closed, sold five paintings. There is also talk of a number of commissions, so I am calling this a successful show.

Thank you again Julie, and to your staff, for the positive energy, and hard work you all put into preparing this show. I was overwhelmed by your generosity, and kindness.

Checking out Seven Spoons

That night after the show Julie took us into Wellfleet to a have dinner at a wonderful restaurant called the Wicked Oyster. Before we ate Julie drove us around Wellfleet, a delightful town on the Cape, filled with shops, restaurants and galleries. Our dinner was delicious, and it was really nice getting to know Julie, who is lovely in all its' definitions, a little better. A great capper to a great day.

Our plans for Sunday changed entirely when I made a significant error in my planning to visit Nantucket for the day. I got some times completely wrong, and we missed the ferry. Karen was great about it, and said she'd just as soon go back to Provincetown, so we did. We had a much more leisurely visit than the day before, and got to see some places we'd missed on Saturday, like the Provincetown Museum of Art, and the beach. I was really excited about coming back because I had had only one bite of Karen's sandwich from Karoo Kafe the day before, and couldn't get that flavor out of my mind. I wanted one of my own, so we ate there for lunch, then on the way out, stopped in again to pick up two more sandwiches for dinner that night, back in our room.

Monday we left early for the airport even though our plane didn't leave until noon. I'm glad we did because we hit that horrific Boston traffic once more on the way in. The flight was on time, smooth, and on the drive home we missed Atlanta rush hour traffic. All and all it was a splendid trip.


Thursday, June 16, 2011

Panchito: B-25 No.2


Panchito - 40 x 40 - oil on canvas

This is my final painting for the Tree's Place Gallery show July 9th on Cape Cod. The majority of my paintings were of a modest size, topping out at 18 x 24, so the gallery requested one large painting to act as a centerpiece. I chose to do another B-25. I had a lot of crops of this subject that I liked, and this was one of my favorites. It was indulgent to go this route again so soon I know, but I was dying to do (at least) one more version of this old Warbird.

Panchito is the face of the DAV (Disabled American Veterans) at air shows around the United States. They fly in to acknowledge the service these men and women provided to their country, inform the public about disabled veteran's unique needs, and help raise funds to provide support.


Saturday, June 11, 2011

American Art Collector



Karin Jurick gets a monthly online copy of American Art Collector magazine, and was kind enough to send me a couple of screen shots of my two pages in the July issue. Last time I checked it hadn't reached the news stands, so it was nice to see how they had put it together. Joshua Rose did a good job of translating our interview. I can't wait to get a hard copy in my hands.

The B-25 for the Tree's Place Show is still in the first pass phase. I'm hoping to have that first layer done in the next two to three days, then start in on the final pass. When that's dry, some varnish, a big box, and the last group of paintings will be on their way up to Cape Cod.


Saturday, June 04, 2011

Tin Top


Tin Top - 16 x 20 - oil on panel

The last of the small paintings is complete, and now I'm fully devoted to the one large painting for the Tree's Place show. Its' dimensions are 40 x 40, so it's not really big, but by comparison it will definitely stand out. The process has begun, as it does with all my paintings, with the nagging voice in the back of my head, "can I do this?". So far I've got the right wing tip started, and today I'll get going on the engine nacelle. My drop dead, you have to stop painting, this is it, date it has to be done is June 17. That gives me two weeks, so I should have plenty of time. Once it's finished, then I'll relax.


Monday, May 30, 2011

White Bread


White Bread - 10 x 30 - oil on canvas

I've got my final paintings for Tree's Place in rotation. The large B-25 has a lot of sky in it, which means a vast gradation of blues. It's in the drying stage prior to adding in the plane. Another painting is drawn out and ready to begin, and while all that was going on I did this loaf of bread. Karen is a real fan of my bread paintings, and she insisted that I had to have a full loaf, wrapped in plastic, for this show. I wasn't sure I wanted to go in that direction, but she was persistent, and now that it's complete I'm glad I did.